Learn simple but effective edge control in this digital painting tutorial. The secret? Erase just as much as you paint. --- Free Brushes & Worksheets: http:/...

Edge control is a huge factor for painting technique. To properly describe form you'll need to use both hard and soft edges. This video explores a practice routine designed to hone your edge control. I can be tricky learning to observe hard and soft edges, but they are essential.

I encourage you to give this technique a try!  Download the lesson file here (it's a .PSD).  Have fun!

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AuthorMatt Kohr
CategoriesPainting
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All images don't need to start with lines. This digital painting tutorial shows that some artwork starts with large brush strokes, and some of the reasons fo...

In the vocabulary of painting "value" refers to illumination. Light areas are high in value, dark areas are low in value. This video explores value sketching - in which a painter foregoes the line-drawing phase and skips straight to tone. If you've never done this sort of sketching before, it's a fantastic exercise!

From my experience, beginners are often taught to think in terms of line because pencils are so cheap and accessable. Working in value requires an artist to more carefully consider form and mass, which is a valuable way to think. Normally sketching in this way would require messy paints or charcoal, but working digitally makes using tone and value just as easy as lines.

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AuthorMatt Kohr
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For additional free videos, custom brushes, worksheets and more more check out www.ctrlpaint.com

Continuing where part 1 left off, this concludes your introduction to the pen tool. This video focuses on a real-world example, creating a technical outline around a character's silhouette. If you were to attempt this job with the lasso or marquee tools you'd quickly run into trouble. The true beauty of the pen tool becomes apparent when working on a series of technical curves.

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AuthorMatt Kohr
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For additional free videos, custom brushes, worksheets and more more check out www.ctrlpaint.com

Creating an illustration which sits on a solid color background can be a challenge. If your goal is to have a nice, painterly, edge you might find yourself constantly re-working it. The method shown in this video strikes a balance between the time-savings of Photoshop layers and the painterly edge quality you're striving for.

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AuthorMatt Kohr
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